Partially Obstructed View

Kwame Kwei-Armah premiered Beneatha's Place a decade ago in Baltimore, when he was running a theatre there. Now he's running a the...

Roy Williams, whose Death of England trilogy inadvertently ended up bookending the Covid lockdowns, now turns his hand to a traditional in...

The Bush's current season opened with a commitment to telling the stories of queer women of colour, a theme that's revisited in th...

Part of Nadia Fall's mission statement for her inaugural season at Theatre Royal Stratford East was to put the venue back on the theat...

The Young Vic’s programme is announced so far in advance that only now, months after Kwame Kwei-Armah took over as Artistic Director, do w...

Ella Road’s imperfect but accomplished debut The Phlebotomist opens with a real piece of news footage, as a doctor is interviewed about g...

Despite the bleak turn it takes in its final act, The Seagull makes by far the best case for Chekhov’s claim that many of his plays are c...

The summer of Patrick Marber Must Have Some Dirt On Rufus Norris concludes in the Lyttelton (although he hasn't had a show in The Arti...