Partially Obstructed View

I dithered over whether to see the Lyric Hammersmith's new version of Ghosts : The Swanamaker's 2023 production was possibly the b...

Given that it doesn't look like Yaël Farber’s going anywhere anytime soon, I feel like Rupert Goold's Almeida has really found the ...

The National Theatre's biggest stages are currently giving a lot of actresses work, although neither of the titular roles are exactly f...

You're subconsciously trying to prove something, and we won't blame you for that, but you have to understand it has consequences for...

When Alistair McDowall says he prefers his plays to offer more questions than answers you should believe him: The playwright who's prev...

A collection of our more sprightly older actors populate Lyndsey Turner's production of Under Milk Wood , which reopens an Olivier Thea...

debbie tucker green is one of the few playwrights who seems to get away with directing the premiere productions of her own work. this may ...

A much-anticipated new play from Alistair McDowall, after his sleeper hit Pomona , and following the dark fantasy of that play he goes sci...

The RSC's Swan has been rededicated to its original purpose of staging work by Shakespeare's contemporaries, and Deputy Artistic D...

It's a long time since Rhys Ifans was a regular face at the National Theatre but he returns now to take up residence in The Shed as Da...

Cora Bissett, who starred in David Greig's Midsummer , is wearing her director's hat for her latest collaboration with Greig, whic...

The Young Vic's tiny Clare studio seems to be becoming the home for the winners of directing awards: Having already played host to the...