Partially Obstructed View

Nicholas Wright's 2002 play Vincent in Brixton is a work of fiction, but it does have its basis in a few interesting facts, for exampl...

It's been a couple of years since I last saw a full production of Hamlet , and with a while yet before the next major one is due (now w...

Launching her career as the watersports fetishist's favourite playwright, Polly Stenham's That Face wasn't just famous for Mat...

When I started listening to and reviewing Radio 3's 2014 Oresteia  earlier this week, I suggested a couple of practical reasons why we ...

The quartet of Italian books known collectively as The Neapolitan Novels are apparently A Big Deal, and one that I had absolutely no idea...

Christopher Eccleston has spent so much time recently vocally trying to disassociate himself from Doctor Who that it's hard to rememb...

Back to the popup venue that can't pop down again soon enough for my liking, Found111. The chairs are still uncomfortable but at least...

The Swanamaker's first all-Shakespeare season opened, very successfully, with two of his least-performed plays, but its second half br...

TV and film writer Paul Andrew Williams makes his stage debut with Ticking , a play that seems to take inspiration from Michael Wall's...

I put the original Cottesloe run of The Curious Incident of the Dog in the Night-Time at #2 in my best shows of 2012, and would have pro...

Mark Haddon's novel The Curious Incident of the Dog in the Night-Time was a huge hit a few years back and clearly remains beloved: Si...