Partially Obstructed View

Omar Elerian continues to be a big advocate of Eugène Ionesco's work, returning to the Almeida after The Chairs to adapt and direct Rh...

In keeping with his usual theatrical style, originally developed when he was denied a passport and couldn't perform his shows himself, ...

For my second As You Like It of the year (second of a planned three, which in most years would make it the most ubiquitous Shakespeare pla...

PREVIEW DISCLAIMER: Press Night for this is next week. This may mean the running time issue I mention later in this review may have been imp...

A rare appearance for Eugène Ionesco's absurdist work in a major London production - only the second in the decade I've been writin...

The only black man on the night bus - describing himself as the virus among blood cells - gets into a quick scuffle with a drunk, and find...

Currently previewing at the Bush Studio before officially opening in Edinburgh, Nassim features a format I’m seeing more and more of: A p...

Before the current creative team at the Bush got into the pretty good run they've enjoyed for the last couple of years, there was a ve...

The Bush's new regime introduces two of its new Associate Artists, by pairing their existing one-woman shows in a double bill they...