Partially Obstructed View

I know I say it all the time but here comes another play set in the past that feels alarmingly relevant to the present: No, not a beloved c...

April De Angelis' The Divine Mrs S feels, in subject at least, like a successor to Jessica Swale's Nell Gwynn : Tracing the histor...

The Donald and Margot Warehouse has been one of the high-profile venues to lose all its funding in the latest round of cuts, so we can prob...

All of a sudden we're getting to see everything Mike Bartlett kept himself busy with during lockdown, with his second premiere in the s...

I imagine there's a hiatus coming up in my theatregoing and reviewing, thanks to a certain global situation targeting the Baby Boomers...

A later-than-planned trip to the second of three James Graham premieres this year: When Sarah Lancashire had to pull out of Labour of Love...

The Swanamaker's first all-Shakespeare season opened, very successfully, with two of his least-performed plays, but its second half br...

The latter years of Terence Rattigan's life saw a decline in his popularity as the Kitchen Sink playwrights knocked him out of favour,...

New adaptations of Greek tragedy often take a modernising approach to the play, but Mike Bartlett's version of Euripides' Medea  f...

Captain Plume has been courting Silvia for some time, and Mr Worthy has been courting her cousin Melinda. But when both women come into un...