Partially Obstructed View

In the spirit of The Cornetto Trilogy being so named because of a non plot-significant ice cream being consumed in each film, I'm goin...

I dithered over whether to see the Lyric Hammersmith's new version of Ghosts : The Swanamaker's 2023 production was possibly the b...

After a few years away from its ubiquity about a decade ago, I'm going to guess Our Country's Good is back on the A'Level syll...

All of a sudden we're getting to see everything Mike Bartlett kept himself busy with during lockdown, with his second premiere in the s...

I imagine there's a hiatus coming up in my theatregoing and reviewing, thanks to a certain global situation targeting the Baby Boomers...

The seasoned veteran in 2019's round of Artistic Director Musical Chairs, Rachel O’Riordan taking over the Lyric Hammersmith means she...

Last seen in London in 2011 when it was the Papatango award winner, Dawn King's Foxfinder is, on the face of it, a canny revival for ...

Playwright Gary Owen is making a niche for himself as the very disturbing voice of a dispossessed underclass, as well as being, presumably...

Following well-received runs at Sherman Cymru and the Edinburgh Festival, Gary Owen's monologue Iphigenia in Splott gets a run at the...