Partially Obstructed View

Maxim Gorky's Summerfolk was written in 1904, the year Anton Chekhov died; Nina Raine and Moses Raine's new version for the Nation...

The new Artistic Director has launched the season by reminding us of the National Theatre's close connection with Ancient Greek Tragedy...

Thanks to its original run at Sheffield Theatres, Richard Hawley (music & lyrics) and Chris Bush's (book) Standing at the Sky's...

Michelle Terry’s summer season at the Globe was the first time the venue didn’t have an official overall theme for the year, but for her f...

Josie Rourke kicks off her final full year in charge of the Donald and Margot Warehouse with a revival of Peter Gill’s The York Realist , ...

With his third play Chris Thompson continues to suggest he's a playwright whose next subject matter and style will always be a surpris...

It's a year of gender-flipped and gender-blind Shakespeare, with a particular emphasis on giving women a shot at more good roles, and ...

Last year Robert Hastie revived My Night With Reg to give the Donmar Warehouse a summer hit with an all-male cast; this year he's bac...

I don't think I can be blamed for approaching Robert Holman's plays with a little trepidation. It's not the fact that they...

A classic gay play follows an adaptation of Russian literature in the Donmar Warehouse's consistently eclectic programming. First see...

Carthage opens and closes with the same scene, a cyclical nature that mirrors the life of the character at its centre: Tommy (Jack McMull...

Set in the freezing West German winter of 1954, John McGrath's Events While Guarding the Bofors Gun , the latest long-unperformed class...