Partially Obstructed View

Alexi Kaye Campbell throws a little dig at himself in Bird Grove , as a male writer telling the story of how women's voices needed to b...

Roxana Silbert finally directs her first show since taking over Hampstead Theatre with the last production of her opening season, Al Blyth...

Some day I’ll see a play where well-meaning but essentially ineffectual liberals don’t turn into dribbling racists within minutes of bein...

My policy on making theatre trips to Chichester changed from "never" to "three times this year" in part thanks to each...

Jessica Swale's Nell Gwynn , which I put at number 4 in my Top Ten productions of 2015, has made it to the West End for a deserved wid...

One bonus of blogging my thoughts about every show I see is that when I spot future talent, I can go back and be smug about it when I'...

Back to the Globe for the second night in a row, and right back to the beginning of the octet that ends with Richard III . In fact I can n...

If you don't know the plot of Mark Haddon's  The Curious Incident of the Dog in the Night-Time , or anything about the adaptation ...

The word "hysteria" famously originates from ystera  meaning womb, because it was assumed to be a uniquely female condition. Hen...

Alexi Kaye Campbell seems a writer who's not afraid to play around with genre. His latest play, Bracken Moor , premiering at the Tricy...

Not a review as this is the return of the Royal Court's occasional series of rehearsed readings and works-in-progress, Rough Cuts. Thi...