Partially Obstructed View

After a few years away from its ubiquity about a decade ago, I'm going to guess Our Country's Good is back on the A'Level syll...

Conceived during a Royal Court writing fellowship in 2019, postponed from a planned run last year and now finally making it to the Jerwood ...

Written during Dipo Baruwa-Etti's residency at the Almeida as the Channel 4 bursary playwright, The Clinic is a combustive family dram...

The usual January trend of grim and serious shows has well and truly continued into February this year, but my diary's due to go into ...

For Nicholas Hytner’s latest project at his own theatre he directs Alys, Always , Lucinda Coxon’s adaptation of Harriet Lane’s novel that ...

A delayed trip to the Donald and Margot Warehouse, where James Macdonald's production of The Way of the World  has been sadly overshad...

If my way home from the theatre is by bus, which includes trips back from the National, even if the show finished quite late chances are t...

Matthew Warchus' second year in charge of the Old Vic is shaping up to be as starry as his predecessor's time, starting with King ...

Usually to be found working somewhere like the Olivier, Bijan Sheibani directs in Hampstead's smaller Downstairs space, and brings wit...

Things would probably be better all round for everyone (especially me) if I could have made this a non-review, but while I was tempted, I ...

Constable Gail Wilde (Lorraine Stanley) was a minor character in a Roy Williams play, who the playwright decided he'd like to see as t...

The first King Lear  I ever saw, 20 years ago, starred Robert Stephens in the title role, and Edgar was played by the then rising star of ...

Though I've seen the odd good production, Julius Caesar has never been one of my favourite Shakespeare plays. There's an awful lot...

They do say you shouldn't choose which shows to see solely on the basis of one cast member, and it can backfire. After having happily ...