Partially Obstructed View

After Hamlet on the Titanic and a musical version set to Radiohead* the RSC has its third go at the story this year: I've not got the...

I know theatre always uses the past to illustrate and comment on the present, but the National staging a play set during the Great Depressi...

With Jitney I hit my personal half-century point in August Wilson's American Century Cycle - having seen the plays covering the 1910s ...

PREVIEW DISCLAIMER: Force Majeure has had its press night pushed back by the usual. Are steep stages going to be a 2022 theatrical meme? A...

For London's second major Three Sisters of the year the National filters Chekhov through Inua Ellams, coming up with a new play that...

Caryl Churchill’s later career has been typified by her enviable ability to make her point incredibly succinctly – her plays tend to be sh...

After a pair of more obscure plays a couple of months ago, this year's second brace of Arthur Miller plays offers up some of his most ...

During Josie Rourke’s tenure the Donald and Margot Warehouse’s Shakespeare productions have tended to confound expectations – whether it b...

If my way home from the theatre is by bus, which includes trips back from the National, even if the show finished quite late chances are t...

In among various classics that the Almeida is staging over the next year or so are a pair of premieres, starting with Adam Brace's loo...

Chris Urch had a miner hit* with Land of Our Fathers , which will be getting another London run later this year, and in the meantime anoth...

To complete the Homeric theme of the Swanamaker's pre-season we have writer Simon Armitage and director Nick Bagnall, who gave us a pl...