Partially Obstructed View

The third and final play in Noël Coward's Suite in Three Keys is a full-length one, so it plays on its own in Tom Littler's reviva...

The Orange Tree marks the 50th anniversary of Noël Coward's death by staging very nearly his last works for the stage, the trilogy Suit...

Returning to the London stage after a few years of fighting The Good Fight  and, more dangerously, The Good Wife  in America, Cush Jumbo co...

Seeing two Shakespeare productions in a row isn't that unusual, especially once the summer season kicks off; two Middletons (Thomas, n...

Now a regular name at the Almeida, American playwright Anne Washburn’s previous plays there Mr Burns and The Twilight Zone (about to get...

Anders Lustgarten doesn’t seem an obvious fit for the Swanamaker, but in comparing present-day paranoia and manipulation by politicians to...

Emma Rice's first season at the Globe is called "Wonder," as in "I wonder where all the shows have gone?" I feel l...

Lucy Bailey's history at the RSC seems mainly to involve directing some of my least favourite Shakespeare plays. And Jo Stone-Fewings...

Melancholy is the overwhelming tone of Richard Nelson's new play Farewell to the Theatre , set among a group of English ex-pats in Willi...