Partially Obstructed View

With the exception of Oliver Exclamation Mark and umpteen Christmas Carol s, the works of Charles Dickens (Chickens to his friends) have l...

One of the more baffling and dreamlike plays I've seen in a while, Cordelia Lynn's Sea Creatures seems to have a solid enough sett...

The Donald and Margot Warehouse only now reopens its venue, having used lockdown as an opportunity to do another refurbishment of the build...

Another show where I opted for the streaming option rather than a lengthy Undergound journey each way, Out West  comes from the Lyric Hamme...

Caryl Churchill’s later career has been typified by her enviable ability to make her point incredibly succinctly – her plays tend to be sh...

A fairly common thing on film, the ability to create the feel of a dream - or particularly a nightmare - on stage is rarer, and something ...

Annie Baker's playwrighting style can be at times understated to the point of eccentricity, but 2016's production of The Flick  ob...

PREVIEW DISCLAIMER: Once again I don't remember specifically booking a preview but it looks like the professional critics are in tomorro...

It can be hard to buy the critical opinion that underneath the torture porn Sarah Kane's work is essentially about love; but it's ...

Tennessee Williams' early masterpiece The Glass Menagerie has suddenly proved popular for fresh interpretation; the production in Sou...

Katie Mitchell uses a new translation by Simon Stephens to present a streamlined version of Chekhov's final full-length play at the Yo...

Getting naked on stage can't be many actors' favourite thing, although at least on a night as warm as tonight I guess they can fee...

SIMON GRAY: Hello my agent! Simon Gray here. I've written a play called Japes , it's about some obnoxious, drunk intellectuals fuc...

This week's theatregoing on POV is sponsored by testosterone: After Monday's posh boys , Tuesday's army boys and Wednesday...