Partially Obstructed View

Despite its wintery title the season Twelfth Night is most commonly associated with is Autumn, usually accompanied by some variation of th...

The onslaught of multiple Twelfth Night s continues with a twist, as Shakespeare's mid-career comedy provides the basic plot inspiratio...

The RSC's apparent reverse-Globe scheduling policy of rarer Shakespeare plays in the summer and the most famous ones in winter continue...

This year's Twelfth Night productions have leaned extra heavily on the idea of the play as a melancholy one, and while the cliché abou...

Well it's a good job I'm already more than familiar with the plot of this one, because any show featuring Nicholas Karimi as a suga...

One of a series of Tim Crouch monologues for Shakespearean supporting characters, I, Malvolio is the first of them to come to the Swanamak...

Without the new writing or more obscure revivals that sometimes take us into the autumn at Shakespeare's Globe, it's already time f...

Christopher Luscombe's Shakespeare productions tend to have a touch of the Merchant/Ivory to them, and so it is with this 2017 product...

The Young Vic gets its first new artistic director in nearly twenty years as Kwame Kwei-Armah debuts in carnival fashion with a show first...

PREVIEW DISCLAIMER: The production is previewing at the Globe prior to a tour. After a turbulent couple of years for the venue, Michelle...

For most plays, having seen another production within four years would seem very recent, but the most popular Shakespeares come along a lo...

It's July, which means it must be time for one of my annual theatrical highlights: Having toured their current season since last autum...

You're never more than ten feet away from a production of Twelfth Night , so another one is rarely the most exciting prospect. On the ...

Not a PREVIEW DISCLAIMER as such, apparently newspaper critics are not being invited to review this production until after  its West End tra...

It feels like so long since I saw a good Twelfth Night (the last one I really enjoyed was Michael Grandage's Donmar West End productio...