The Gate's "These American Lives" season concludes with a piece of verbatim theatre that looks at the work of a war photographer and the effect this kind of life has on a person's mind.
The Body of an American explains its title early on, with one of the more graphic of the images to be projected onto the theatre's walls over the course of the evening: Canadian photographer Paul Watson's photo from Mogadishu, of a dead American soldier who'd been almost stripped by a baying crowd about to tear it apart as some sort of grim trophy. The photo was credited in part for America's withdrawal from Somalia, but Paul feels haunted by the man whose death was at the centre of it. Playwright Dan O’Brien is fascinated by the effect on the man behind the camera and contacts Paul to propose writing this play about him, but the photographer proves elusive.
