Theatre review: The Other Place

The National's currently got a full programme of shows that are as critically acclaimed as they are, frankly, bleak, and after the Dorfman's A Tupperware of Ashes and the Olivier's Coriolanus I'm completing the hat trick at the Lyttelton with Alexander Zeldin's The Other Place. Loosely (very loosely, which is why it's got a different title, Simon,) inspired by Antigone, the story's look at burial rites as a way of showing respect or contempt becomes one of how they're about saying goodbye, and how grief can turn into something toxic and twisted. Adam killed himself at his rural family home a few years ago; his brother Chris (Tobias Menzies) now owns it, and has kept the ashes there where he now lives with his new wife Erica (Nina Sosanya) and her teenager Leni (Lee Braithwaite,) as well as Adam's youngest daughter Issy (Alison Oliver) who moved back in when she couldn't pay her rent.

Theatre review: Against

2008’s Now or Later has made me look forward to Christopher Shinn’s work, but so far none of his other plays have lived up to that one for me. His latest premieres at the Almeida in a production by Ian Rickson, and tries to deal with huge issues of faith and the human capacity for violence, as a self-made billionaire believes he’s been given a message from god to go out into the world and solve America’s violence problem. Ben Whishaw is no stranger to playing messianic figures so he’s a natural match to Against’s protagonist Luke, a tech and aerospace giant who leaves behind all his companies when he claims to have been given a divine message to “go where the violence is.” He interprets this vague missive as meaning he should travel to the scenes of violent crimes and stay there long after the press have moved on to the next story, collecting feelings and reactions from the survivors and compiling their stories on a website.