Theatre review: The Duchess [of Malfi]

Poor the Jodie Whittaker, they keep doing her dirty. I still maintain, based on what I've seen of her in interviews, that she could have been an absolute natural as The Doctor, but she spent her entire run on Doctor Who surrounded by so many companions you could blink and miss her. Now she returns to the stage in one of the most iconic roles in theatre, but in a translation that's neither the original nor quite a reinvention, leaving her flailing in an evening that feels little more than just a bit skewwhiff. Zinnie Harris' play, originally announced under the title The Duchess, had by the time it opened been quietly retitled The Duchess Open Square Brackets of Malfi Close Square Brackets, perhaps to help attract school parties: The website says this play is studied in the A Level English Literature curriculum.

Theatre review: Raising Martha

Animal rights as a metaphor for human rights in Raising Martha, David Spicer's black comedy that throws a lot into the mix and gets varied results. Gerry (Stephen Boxer) runs a farm that breeds frogs for vivisection; as a result it's a target for animal rights protesters, and following violent attacks Gerry's all but barricaded himself in. The latest attack is a personal one: Marc (Tom Bennett) and Jago (Joel Fry) have dug up the bones of his dead mother, and are holding them hostage, to be returned if the farm is sold to an animal charity. Gerry's brother Roger (Julian Bleach) has returned to help with the crisis, but all the brothers do is argue about whether or not to sell. Meanwhile the increased police presence at the farm isn't entirely welcome, as Gerry has diversified into growing marijuana laced with hallucinogenic toad.