Theatre review: Fat Ham

After Hamlet on the Titanic and a musical version set to Radiohead* the RSC has its third go at the story this year: I've not got the best history with the Pulitzer Prize for Drama, having found a number of past winners underwhelming at best, but in general it still seems to be a respected award, so James Ijames' 2022 winner must have made for one of the few times actors have actively wanted to be called Fat Ham. Fat Ham, I hear it and I know, Fat Ham, Fat Ham, I know you wanna take me home, Fat Ham, and get to know me close, Fat Ham, Fat Ham, when your heart goes Fat Ham is a self-aware, modern-day adaptation of Hamlet that takes the "ham" part of the title (and, I guess, the Danish part of the story) and turns the royal family into one that's made a living out of pork products, raising pigs, butchering them and cooking them in their restaurant.

Theatre review: The Hot Wing King

The Pulitzer drama prize continues to try and get me back on side, with its 2021 award going to a writer I've liked for a long time, Katori Hall. The Hot Wing King's take on the hot-button topic of masculinity, and particularly black masculinity, is a refreshingly different one as it centres the action around a found family of gay men: After five years in a long-distance relationship Cordell (Kadiff Kirwan) moved from St Louis to Memphis to be with boyfriend Dwayne (Simon-Anthony Rhoden,) leaving everything behind including a wife and two children. The play takes place over the weekend of the annual Hot Wing Contest, a cook-out Cordell has come close to winning but never quite achieved before, and as ever they're joined by their friends, the flamboyant Isom (Olisa Odele) and more reserved, sports-loving Big Charles (Jason Barnett,) to help them put together the recipes Cordell has perfected over the last year.