This environmental musical makes for an immensely charming evening, even as we know from the start exactly how things are going to sour. Steers and Turley confidently steer (ha) the story as the balance of power flips from her serene confidence to his jittery arrogance.
It's very funny, although I would have liked designer Shankho Chaudhuri's gag book titles to have been a bit more visible, as even from the fourth row I could only make out Earth reading Lonely Planet, and later when there's flooding what I think said Great Precipitations. The show really leans into its high concept for comic effect, from Earth seductively inviting Hu to explore the natural resources down below, to her starting to suspect by the 1960s that he might be cheating on her with the Moon.
Coote's production steams ahead with huge pace as it packs the history of the planet into an hour, so we're quickly at a point where the cute boy turns into the (literally) toxic boyfriend, gaslighting her with actual gas (and oil and coal.) The energy means we're catapulted into this much sadder part of the story, and the leads carry us through the drama as confidently as with the comedy. Pleasingly, Godfrey and Coote's story finds a kind of, slightly twisted but definitely satisfying, happy ending.
For a short musical this is packed with songs, and Godfrey's given us a steady stream of catchy '90s-style pop bangers - helped by the cast recording being played out as the audience left, "Better With Time" actually passed the test of staying stuck on my internal jukebox the whole journey home. Steers and Turley deliver all the energy and enthusiasm you could ask of them, and the songs match the former's distinctively deep voice so well Phill wondered if they might have always been written with her in mind. Sure, it's the story of a relationship so toxic it leads to an extinction event, but nobody said it couldn't be fun.
Hot Mess by Jack Godfrey and Ellie Coote is booking until the 8th of November at Southwark Playhouse Elephant.
Running time: 1 hour 10 minutes straight through.
Photo credit: Helen Murray.




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