Sunday, 14 February 2016
Theatre review: Andy Capp The Musical
And a wedding is at the centre of the musical's story, as Andy's nephew Elvis Horsepole (Tom Pepper) is planning to get married to Raquel (Tori Hargreaves,) and wants his uncle to be the best man.
So Price and Peacock have thrown all the best-known elements and characters of the comic strip into a musical that treads quite a tricky path: It is, of course, for the most part a working-class comedy, but the lovable rogue at the centre isn't actually all that lovable - especially in the way he treats his wife - and the show acknowledges this. In a good cast, Robertson Hay provides the heart as Flo finally has enough of her husband's verbal abuse and leaves him.
There's fun moments from Todd James as Andy's best friend Chalkie and Jennifer Clement as his wife Ruby, ready with a rolling-pin when he arrives home late and drunk (in a nod to the story's origins, Bex Kemp's design includes cartoon "biff!" "pow!" bubbles to illustrate the comedy violence.) David Muscat's outsider Geordie is both narrator and sole voice of sanity, while Paddy Navin shamelessly hams it up as Elvis' battleaxe future mother-in-law Mrs Scrimmett.
The songs themselves are decent enough if unspectacular, and the large cast pile onto the stage with a lot of energy - apart from a musical director on keyboards in the corner, Jake Smith's production goes for an actor-musician approach which adds to the feel of bustling life around its lazy protagonist. As ever with shows of this scale in this intimate a setting, part of the fun is in seeing the joy on other audience members' faces at being that close to the action. Andy Capp The Musical isn't exactly a timeless classic but it deserves better than to have disappeared for as long as it did, and Smith's production finds a decent balance between enjoying the light comedy and addressing the problematic central character; it'll leave you too saying
Andy Capp The Musical by Alan Price and Trevor Peacock, based on the comic strip by Reg Smythe, is booking in repertory until the 23rd of February at the Finborough Theatre.
Running time: 2 hours 30 minutes including interval.
Photo credit: Darren Bell.