Tuesday, 11 March 2014
Theatre review: The Act
Baldwin and Hescott's show is billed as "cabaret-style," and Baldwin does break into song - camp rewrites of popular old tunes break up the monologue, like "Rough Trade" to the tune of "Greensleeves." It's used sparingly though, the interludes well-timed.
Baldwin (who, in a suit instead of a frock, suddenly bears a startling resemblance to Henry Kelly from off of Going For Gold) doesn't milk the opportunities to play a wide collection of - largely camp - characters. So while the show is gently funny from the start, it also easily retains sympathy, especially for the unassuming Matthews, whose love letters get cruelly used against him by the play's conclusion. The title gets a double meaning, the act of decriminalisation as well as sex itself described as "the act," and the play has an element of exploring the romance in the very physicality that repulsed certain opponents of the change in law; it's an element of the show that feels slightly underdeveloped.
The story is framed by a modern-day gay man with a rather flippant (but on-theme with the idea of physicality being at the heart of the matter) approach to the ongoing fight for equal rights, but in keeping with the tone of the piece this isn't a harshly accusatory indictment of the audience. Overall this is a surprisingly understated affair, but quietly impressive.
The Act by Matthew Baldwin and Thomas Hescott is booking until the 29th of March at Trafalgar Studio 2.
Running time: 1 hour 15 minutes straight through.