Theatre review: Jitney

With Jitney I hit my personal half-century point in August Wilson's American Century Cycle - having seen the plays covering the 1910s, 1920s, 1950s and 1980s, Headlong's production at the Old Vic takes us to the 1970s, and the first play in the cycle in order of writing. The next one Wilson wrote was Ma Rainey's Black Bottom, and this play shares some similarities in setup: We're in another sunless room with a group of men taking breaks from work. This time it's a cabin that houses an unlicensed cab office: The licensed ones won't go to some of the more dangerous parts of Pittsburgh, which is where Becker's (Wil Johnson) drivers come in. And even they're not willing to stay there too long - one of their mantras to customers who call is "be ready, I won't wait." In between jobs they come back to the office to warm up by the electric fire, and when the phone rings the man who's been waiting longest gets to answer it and take the next fare.

Stage-to-screen review: Crave

With Crave I've now seen all of Sarah Kane's inevitably small canon of theatrical work; originally premiered under a pseudonym to avoid being judged on the playwright's notoriety, her penultimate play marks a shift of direction into a more abstract poetic style. It famously has no stage directions and the characters are lettered rather than named, leaving it up to the actors and director to find characters in the stream of words (by the time of her de facto suicide note 4:48 Psychosis, Kane had also dispensed with telling us which character says which line, or indeed how many characters there are.) It's a piece that defies an easy summary of what it's about, although like its successor it's built on despair - though rather than that wider existential horror this is more specifically rooted in having despaired of love. There's a failed relationship at the heart of Crave, an intense and highly sexual one and almost certainly abusive to some degree, although whether this is the voice of the abused or the abuser is as fluid as anything else here.