Theatre review: Paddington

To say that Michael Bond's Paddington Bear has had a resurgence since the 2014 film would be an understatement, as would be to say a musical adaptation could be a huge risk: The slightest hint of a shameless cash-in on such a beloved character could have gone very badly. Fortunately Paddington the Musical is in very safe hands with Tom Fletcher (music and lyrics,) Jessica Swale (book) and director Luke Sheppard. When an elderly bear, Aunt Lucy (voiced by Brenda Edwards) can no longer look after her orphaned nephew, she sends him from Darkest Peru to London, where she hopes he'll find the explorer who was kind to her years before. Instead he finds Mrs Brown (Amy Ellen Richardson) and her son Jonathan (Jasper Rowse, alternating with Joseph Bramley, Leo Collon and Stevie Hare.) Against the wishes of Mr Brown (Adrian Der Gregorian) and permanently embarrassed teenager Judy (Delilah Bennett-Cardy) they invite him home.

Theatre review: The View UpStairs

The 1973 arson that killed dozens in New Orleans’ UpStairs Lounge gay bar was the biggest terrorist attack on the LGBTQ+ community before the Pulse shooting in Orlando, but ranks as something of a forgotten chapter of queer history. I’d never heard of it before this year, but perhaps it’s fitting that in the 50th anniversary of the Stonewall riots other landmark moments are commemorated, and I’ve seen the attack referenced on stage twice this year: It formed a plot point in Gently Down the Stream, and is now the inspiration for Max Vernon’s musical The View UpStairs. In the present day, entitled influencer Wes (Tyrone Huntley) buys a burnt-out building in New Orleans’ French Quarter with the intention of gutting it and turning it into the flagship store for his new fashion line. It is, of course, the building that once house the UpStairs Lounge, and when he’s alone the ghosts of the bar’s owner Henri (Carly Mercedes Dyer) and her clientele appear.

Re-review: In The Heights

After a sold-out run at Southwark Playhouse last year, Luke Sheppard's UK premiere of In The Heights was widely rumoured for a transfer. It's taken nearly 18 months to happen, but the timing may be fortuitous - as a London audience eagerly awaits the latest Broadway smash Hamilton to make it across the pond, Lin-Manuel Miranda's earlier show is an exciting alternative, and as the limited run has already announced an extension it seems to be doing well in its new home. That home is the King's Cross Theatre, a disused platform of the train station, converted specially to house an adaptation of The Railway Children. So the show has been restaged to suit a larger, traverse stage, but Drew McOnie's memorably energetic choreography has settled in well, with a lot of the original cast also returning.

Theatre review: In The Heights

Set among the Dominican and Puerto Rican community of New York's Washington Heights neighbourhood, Tony-winning musical In The Heights has taken a few years to make it to London, but finally does so explosively at Southwark Playhouse. Lin-Manuel Miranda and Quiara Alegría Hudes' show follows a couple of local families, starting with the narrator-like Usnavi (Sam Mackay) who runs a grocery store and coffee shop with help from his younger cousin Sonny (Damian Buhagiar.) Their grandmother Claudia (Eve Polycarpou) is a matriarch to the whole community, which also includes entertaining hairdresser Daniela (renowned Flashclomper Victoria Hamilton-Barritt,) who is having to relocate her salon to the Bronx because the rent on her Heights place has got too high.

Theatre review: A Chorus Line

My sister finally gets her Christmas present from me, in February. No, I'm not terribly neglectful (well I am but it's not relevant here,) she just wanted to wait until A Chorus Line opened, and I'm pretty sure she thought it was worth the wait. The (notorious flop) movie version was one of her favourite films growing up, and now the original musical returns to the West End, setting up shop at the Palladium. Marvin Hamlisch, Edward Kleban, James Kirkwood and Nicholas Dante's shows takes us behind the scenes of a big Broadway production, reminding us that behind the big-name stars there's a chorus, often having to blend into the background but each a person with their own story to tell.