Theatre review: The Importance of Being Earnest

Productions of The Importance of Being Earnest aren't exactly a rarity - in fact the last West End outing was only a year ago, and it didn't even do particularly good business. So it's a show I don't feel compelled to catch any given production of as the next one will be along soon enough. But I last saw it at the Old Vic, which a quick google reveals to have been twenty years ago, so I figured it was time to give it another go in Adrian Noble's production, which has settled into the Vaudeville for the summer. There's famously far too many roles available for older women - it's something like that, right? - so David Suchet has stepped in to ease the workload by taking on the role of Lady Bracknell, the archetypal formidable aunt. In another outrageous bit of casting, the show also stars Philip Cumbus, meaning not only is he missing a Globe summer season in an odd-numbered year for the first time since his first season in 2007, he's also missing his beard.

Theatre review: The Captain of Köpenick

I'm not sure what's going on at the National lately - the better the quality of work at the now-defunct Cottesloe, the more questionable the choices in the two bigger houses seem to get. After last year's unmemorable Travelling Light in the Lyttelton, Antony Sher moves to the Olivier for Carl Zuckmayer's farcical satire on bureaucracy and the blind following of orders, The Captain of Köpenick.

Wilhelm Voigt (Sher) is a lifelong small-time crook. Released from prison for the umpteenth time, he finds life on the outside even more of a challenge as he can't do anything without presenting his official papers - documents he's never actually had. As Voigt's very existence is questioned by the authorities, the Mayor of Köpenick (Anthony O'Donnell) is having a new military uniform made - a plot that will (eventually) cross paths with Voigt's.

Theatre review: The King's Speech

David Seidler tried to hawk his play The King's Speech to theatre producers but attracted the attention of a film producer instead. People more up-to-date than I on news of magic lantern shows, inform me the ensuing film did "quite well," so now the original play finally gets its chance on stage; and a West End stage at that, with a strong cast. King George V (Joss "DIPLOMATIC IMMUNITY" Ackland) is nearing the end of his life, and not too thrilled about the succession. David, the future Edward VIII (Daniel Betts) is a bit of a raving Nazi and, much more importantly by the ruling classes' standards, shagging an American. Everyone except David himself seems to see the abdication crisis coming, but the trouble is the next in line is Bertie (Charles Edwards,) whose severe stammer doesn't make him the ideal person to make reassuring speeches to the nation as WWII approaches.