While Elliot Davis and James Bourne's first stage musical, Loserville, was
unfairly maligned by the press, it's also true that it felt like it had gone too big
too quickly with a West End run, and it did a lot better a couple of years later as a fringe show. So it's back to the Union Theatre (albeit in its new location across
the road) and to director Michael Burgen that they return for the first outing of
their sophomore effort. On the evidence so far, Davis & Bourne's niche is a British
take on Americana: After the high school antics of Loserville we have the space
race, dysfunctional fathers and sons, and a brash stranger finding redemption in a
small town and saving it in the process, in Out There.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label James Bourne. Show all posts
Showing posts with label James Bourne. Show all posts
Saturday, 24 September 2016
Friday, 13 March 2015
Theatre review: Loserville
It's barely more than two years since James Bourne and Elliot Davis' amiable teen musical Loserville took an early bath at the Garrick, and already it's back to make its fringe debut. Even with a big budget behind it the show had the feel of being cobbled together from old yoghurt pots and sticky-back-plastic - perhaps one of the qualities that baffled many of the critics and made them take so violently against it - so this lo-fi aesthetic means it translates well to a smaller scale in Michael Burgen's production at the Union. It's set in 1971 and follows the template of every American High School movie, as Michael Dork (Luke Newton) and his friend Lucas (Jordan Fox) obsess over computers, and hope to find a way to send messages between them - what will eventually be known as email. It's only when geeky girl Holly (Holly-Anne Hull) joins the school though, that they start to make real progress.
Tuesday, 30 October 2012
Theatre review: Loserville
It's all looking very retro at the Garrick at the moment, as it may be playing host to a new musical, but Elliot Davis and James Bourne's Loserville is set in 1971, while there's something of the Starlight Express to Francis O'Connor's neon microchip of a set. Though a British musical, this is very much the classic American high school story, as Michael Dork (they... they know what that word actually means, right?) and his Star Trek-loving friends spend their time in the school's computer room, steering clear of the popular kids. When a similarly geeky girl, Holly, arrives at the school, Michael not only gets a romantic interest on his wavelength, but also an ally who can help with his attempt to make computers send messages to each other: He essentially wants to invent email, and get there before the big computer corporation up the road does.
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