Theatre review: The Snail House

There are many multi-talented theatremakers who spend their whole careers working - sometimes with varying levels of success - in a number of different disciplines. There are also those who, later in their careers, decide to use their years of experience to add another string to their bow, usually playwrighting. Richard Eyre's career as a director has been a particularly distinguished one, including running the National Theatre, and he isn't entirely without writing experience either, having done a number of his own adaptations of existing work. But The Snail House - which he also directs on Hampstead's main stage - is his first completely original piece of writing for the theatre. I've seen actors, directors and critics make this kind of late addition to their careers, and I'd like to say it usually pays off, but in my experience it's surprisingly common for them to fall into every trap a play can possibly set.

Theatre review: Mary Stuart

My first theatre trip of 2017 should have been one of my last of 2016, but the performance I was due to see was one of several cancelled due to cast illness - presumably the gastroenteritis that's knocked out half the West End and got me last month as well. But everyone's back on their feet now for the latest of Robert Icke's classic reinventions at the Almeida, Friedrich Schiller's Mary Stuart. In the battle of wills between the last Tudor monarch and her great rival, Icke sees the women as two sides of the same coin - literally, as two actresses share both roles, with a coin spun at the beginning of the performance to decide who plays who. Tonight Lia Williams called heads and won, so the assembled cast bowed to her as Queen Elizabeth I, who's been ruling for eight years and has restored Protestantism to England - along with a stability the country hasn't known for a long time.

Theatre review: This House

In 1974, two general elections resulted in a hung parliament (no clear majority) followed by a slim Labour majority. Without forming a coalition government, this was a parliament never expected to survive long, but against the odds they hung on for almost the full five years. With such a slim majority getting any legislation passed was a herculean task, so This House, James Graham's fictionalised take on these turbulent years in the House of Commons, avoids putting the best-known public faces of 1970s politics on stage. Instead the focus is on the whips of the two main parties. (For the benefit of Americans and other aliens: Whips are MPs for each major party whose job it is to ensure all MPs on their side vote according to the party line. With a majority of just 3 right after the election, just a couple of rebel backbenchers could scupper a government's attempts to push new bills through.)