Theatre review: Unfaithful

Back to the popup venue that can't pop down again soon enough for my liking, Found111. The chairs are still uncomfortable but at least now they actually seem to have been designed for adult humans to sit on, rather than stolen from a dollhouse; and there's even a bit of a rake in the traverse seating for Unfaithful. Owen McCafferty's play sees a younger and older couple cross paths in ways that put both relationships at risk: Married plumber Tom (Sean Campion) is having a drink after work when a much younger woman, Tara (Ruta Gedmintas,) starts flirting with him, before out-and-out suggesting sex in an alley. Tom returns to his dinnerlady wife Joan (Niamh Cusack) to confess he slept with Tara. In revenge, Joan arranges a date with male escort Peter (Matthew Lewis.) Tara is Peter's girlfriend, and her frustration at what he does for a living might be what leads her to hit on other men.

Theatre review: Our Boys

Director David Grindley scored a hit with his revival of Journey's End, which most recently popped up in the West End last year. His latest production sticks with the army theme but moves on both in time - to the mid '80s - and to a point after the front line, looking at the damage done to soldiers and what kind of life they can expect afterwards. Jonathan Lewis' Our Boys is set in a grim military hospital in Woolwich, where a trainee officer has been sent for a routine operation. Because of a shortage of private rooms, Potential Officer Menzies (Jolyon Coy) ends up in a ward with three regular squaddies, who resent having a "Rupert" in their midst. Ian (Lewis Reeves) has had severe head injuries in a bomb blast, and is in the middle of lengthy rehabilitation to get him walking and talking normally again. Northern Irish Meatloaf fan Keith (Cian Barry) is increasingly losing all feeling in his right leg for reasons, whether physical or psychological, that the doctors can't figure out. And Joe (Laurence Fox,) who seems the most mobile of the lot, is there for reasons that aren't revealed until later in the play.