I don't know how dangerous she is, but this Lesley Aisons certainly seems like a bit of a cow.
Based on the novel by Choderlos de Laclos, Christopher Hampton's Les Liaisons
Dangereuses is still best known for its hit film adaptation*, but enough time
has passed to bring it back to the stage, as Josie Rourke does at the Donmar. In
18th century France, the nobility's reputations depend on them maintaining a strict
morality - or at least appearing to, while getting up to whatever they like behind
closed doors. Men can get away with more than women, so the Vicomte de Valmont
(Dominic West,) despite something of a caddish reputation, is still welcome in
polite society because of his charm and the frisson of scandal. Not only are the
rumours about his sexual conquests true, he has an unsuspected accomplice in the
outwardly respectable widow, the Marquise de Merteuil (Janet McTeer.) The two were
once lovers, but have left that behind to focus on corrupting others: They dare and
egg each other on to find the most virtuous young nobles in Paris
society, seduce then discard them.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Una Stubbs. Show all posts
Showing posts with label Una Stubbs. Show all posts
Tuesday, 22 December 2015
Friday, 3 August 2012
Theatre review: The Curious Incident of the Dog in the Night-Time
Mark Haddon's novel The Curious Incident of the Dog in the Night-Time was a huge hit a few years back and clearly remains beloved: Simon Stephens' stage adaptation for the National Theatre sold out its entire run long before it even started previewing. 15-year-old Christopher Boone has behavioural problems on the autistic spectrum (contrary to what the book's original blurb stated, Haddon doesn't like his character's condition labelled as Asperger Syndrome.) He dislikes strangers and human contact in general, screaming in panic if even one of his parents touches him. He does like animals though, as well as maths and the colour red (but definitely not yellow or brown.) At the start of the play Christopher lives alone with his father in Swindon, his mother, as far as he knows, having died two years earlier. When he finds his neighbour's dog violently killed and is falsely accused of the crime, he sets out to discover who really did it - only to find a lot more secrets than he was expecting.
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