Theatre review: Bleak Expectations

We've had films and TV get stage adaptations, now radio gets in on the act; it ended on Radio 4 eleven years ago, but like its characters Mark Evans' Bleak Expectations has risen from the dead in a new and disturbing form. Evans has written a stage version that adapts mainly the first of the five series of frantic Dickensian parody about Pip Bin (Dom Hodson) and his sisters Pippa (Serena Manteghi) and Poppy (Rachel Summers.) Their rich, happy Victorian childhoods go wrong when their father dies in a freak penguin-related accident, and their mother (Ashh Blackwood) does the only respectable thing for a widowed woman of her time, and immediately goes mad. The siblings' nemesis is their new guardian, Gently Benevolent (John Hopkins,) who makes no secret of the fact that he's constantly plotting to murder Pip and marry one of his sisters for the inheritance.

Stage-to-screen review: The Sorcerer's Apprentice

Intended as Southwark Playhouse's first big show of 2021, The Sorcerer’s Apprentice went the way of... everything else in recent months, although Richard Hough (book and lyrics) and Ben Morales Frost's (music and orchestrations) musical was among the luckier ones, in that the production got to finish rehearsals and actually perform in The Large. To no live audience, of course, but for a recording that's streaming "as-live" on the stream.theatre platform for the next few weeks. It's based on the Goethe poem that is of course best-known for its adaptation in Disney^TM's Fantasia©, and little suggestions of Paul Dukas' music do find their way into Morales Frost's compositions. But this is essentially a new treatment of the material, starting with a new story that expands on Goethe's simple fable about not trying to run before you can walk.

Theatre review: Bananaman

PREVIEW DISCLAIMER: Bananaman is having its press night late in its run, presumably for reasons of Christmas.

Southwark Playhouse has looked to Japanese comics in the past for its Christmas family show, but this year it's found a superhero closer to home. Based on a character created by David Donaldson in 1980 (his first-ever comic strip is reprinted in the programme) who appeared in various British comics as well as the famous TV cartoon voiced by The Goodies, Bananaman now gets his own musical written and composed by Leon Parris. Eric Wimp (Mark Newnham) is a nerdy 16-year-old who's bullied at school and can't pluck up the courage to ask out his friend Fiona (Emma Ralston.) But one night, while he's out watching the skies, a shard from a comet falls to earth, knocking him out. When he wakes up he finds that every time he eats a banana he transforms into Bananaman (Matthew McKenna,) a superhero with the muscles of twenty men, and the brains of twenty mussels.

Theatre review: The Stripper

Theatrical memes seem to take turns - the spoon-playing looks to have pretty much passed the baton to the elaborate coup de théâtre meme now - so it's an unexpected and unwelcome return for one from the first few months of 2016, as the St James Theatre sticks strictly to the 8pm start time for shows in its basement Studio, despite the fact that The Stripper has a two-and-a-half hour running time. Pulp novelist Carter Brown adapted one of his own stories for the book of this 1982 musical with music by Richard Hartley and lyrics by Richard O'Brien - and there are moments when The Rocky Horror Show does indeed come to mind in the songs, even though the overall style has quite a different feel, going for a jazzy influence that reflects the seedy 1960s LA club where much of the action takes place.

Theatre review: The Toxic Avenger

In what's definitely becoming something of a Southwark Playhouse specialty, it's another kitsch American musical based on an unlikely source - this time the cult 1980s Troma horror movie by Lloyd Kaufman (who was in tonight's audience and got a shout-out from the cast,) The Toxic Avenger. Tromaville, New Jersey is the world's toxic waste capital, thanks to the corrupt Mayor (Lizzii Hills) who secretly owns the company dumping mysterious green sludge everywhere. When nerdy environmental activist Melvin Ferd the Third (Mark Anderson) finds out what she's been up to, the Mayor has her goons drown him in a vat of toxic waste. But instead of killing him it transforms him into a deformed, smelly but super-strong monster, and as The Toxic Avenger - or Toxie to his girlfriend, the blind librarian Sarah (Hannah Grover) - he goes on a violent rampage to clean up Tromaville.

Theatre review: An Incident at the Border

The basic premise of An Incident at the Border is so simple it feels as if it should be the basis for a well-known absurdist classic, but Kieran Lynn's one-act play is actually getting its world premiere in the Finborough's Sunday-Monday slot. A young couple, Arthur and Olivia (Tom Bennett and Florence Hall) are enjoying a lazy day feeding the ducks in the park, when a Border Guard (Marc Pickering) arrives with a roll of tape. Their country has just been divided in two, and the new border runs right through the park bench they're sitting on. Unfortunately this means Arthur has not only ended up in a different country to his girlfriend, he's technically in a hostile foreign country, without any identification papers, and it could take years before there's even a procedure in place for him to legally cross the line back home.