Jamie Lloyd’s Pinter at the Pinter season continues with a double bill that he’s directed before, in this same theatre ten years ago when it was still called the Comedy. If Pinter One was bleak and timeless, Pinter Two is more broadly comic, while Soutra Gilmour’s design places it firmly in the early 1960s when the one-acters were both written. In The Lover a cheesily domestic married couple prepare for their day; Richard (John MacMillan) is off to work, wishing Sarah (Hayley Squires) a fun afternoon with her regular lover. He’s not jealous – it would be hypocritical, since he’ll be taking the same afternoon off to spend with a whore. After the interval comes The Collection in which the same actors play another married couple, whose complex sex life takes in unsuspecting outsiders when James (MacMillan) barges into Bill’s (Russell Tovey) house and accuses him of sleeping with his wife.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Hayley Squires. Show all posts
Showing posts with label Hayley Squires. Show all posts
Thursday, 27 September 2018
Wednesday, 2 August 2017
Theatre review: Cat on a Hot Tin Roof
In a Young Vic production that, for the first time, skips the Young Vic entirely and goes straight to the West End (and its prices,) the theatre follows up Benedict Andrews’ revolving Streetcar Named Desire with another of the most famous Tennessee Williams plays, Cat on a Hot Tin Roof. We’re still in a sweltering part of the American South (Tennessee itself, this time,) but unlike most Williams characters nobody here is strapped for cash: Big Daddy (Colm Meaney) owns the largest plantation in the state, and his whole family have gathered to celebrate his 65th birthday. What most of the family knows but he doesn’t is that this is his last birthday: The tests he was told came back negative actually revealed he has terminal cancer and very little time left. We see the action from the perspective of alcoholic younger son Brick (Jack O’Connell) and his wife Maggie (Sienna Miller.)
Tuesday, 14 February 2017
Theatre review: The Pitchfork Disney
Last year Jamie Lloyd's ongoing West End projects kept getting bigger, and arguably
lost the plot in the process - I made his Doctor Faustus my Stinker of 2016. Perhaps
Lloyd himself feels the scale of things had got a bit out of his control because his
first few projects of 2017 see him taking a step back towards something a bit more
intimate - although not necessarily low-key, as he opens a mini-season of Philip
Ridley plays at Shoreditch Town Hall with the playwright's 1991 debut, The
Pitchfork Disney. Presley (George Blagden) and Haley Stray (Hayley Squires) are
28-year-old twins and the only survivors of the apocalypse - at least that's the
story they tell themselves to justify their childlike lives cloistered in an East
London flat. In fact ever since their parents died a decade ago - probably murdered,
possibly by Presley - they've retreated into a co-dependent world of dark
fairytales, drugged into sleep much of the time and hardly going out except to stock
up on the chocolate that seems to be all they eat.
Wednesday, 26 February 2014
Theatre review: Secret Theatre Show 4
After a break for panto the Lyric Hammersmith's Secret Theatre returns with one notable change: The secret is now revealed slightly earlier, the sheet with title, writer, cast and creative details being handed out before the show rather than after. But for the purposes of this review I'll be sticking to the same format as before: If you're planning to see Show 4 and don't want spoilers, stop reading now.
Tuesday, 3 April 2012
Theatre review: Vera Vera Vera
The Veras in the title of Hayley Squires' debut play have nothing to do with The Shamen, but instead refer to the (basically quite similar) musical stylings of Dame Vera Lynn. Her songs play over the scene changes of Vera Vera Vera, the second and final full production in this year's Royal Court Young Writers Festival. The cast of five are split over two connected storylines: On the day of the funeral of Bobby, a soldier killed in Afghanistan, his sister Emily (Danielle Flett,) brother Danny (Tommy McDonnell) and best friend Lee (Daniel Kendrick) gather, bicker, and try to move on. Interspersed with their scenes is a story that happens a couple of weeks later: Charlie (Abby Rakic-Platt) and Sammy (Ted Riley) are a couple of teenage best friends. As Sammy prepares to meet a school bully for a fight, the two are forced to acknowledge their real feelings for each other.
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