Occasionally I see productions of shows I was in at University, but tonight something a bit rarer - a play I was in at school. Of course it wouldn't be quite as rare in America - the cliché about Thornton Wilder's Our Town is that on any given day there's a production playing somewhere in the world, most likely in the US. Its simple staging conceit, decent-sized cast and homespun feel make it popular with local, amateur and school productions, but if it's notable for its simplicity it's definitely of the deceptive kind. In a production that originated in Chicago in 2008, David Cromer directs as well as playing the Stage Manager, the businesslike narrator who pieces the story together out of the barest theatrical techniques. It's the story of Grover's Corners, a small New Hampshire town, in the first decade or so of the 20th century; but the Stage Manager is looking at it from 1938 when the play debuted, so he knows from the start how everyone's story will end.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Daniel Kendrick. Show all posts
Showing posts with label Daniel Kendrick. Show all posts
Tuesday, 21 October 2014
Monday, 25 February 2013
Theatre review: If You Don't Let Us Dream, We Won't Let You Sleep
Anders Lustgarten is a full-time activist whose last play saw the BNP field an Asian candidate at the Finborough in time for the last election. Now that we know what actually happened in that election, he turns his attention to the politics of austerity. And the Royal Court Downstairs stage goes austere as well, with a production without décor for If You Don't Let Us Dream, We Won't Let You Sleep. The short play opens with a cabal of politicians, bankers and business leaders proposing the monetisation of society's downfall: Private companies will be responsible for crime prevention, and if the figures drop their bonds will pay out. But market forces have their own rules, and soon those who control the jails, hospitals and energy suppliers are betting short: The worse things get, the bigger their profits.
Tuesday, 3 April 2012
Theatre review: Vera Vera Vera
The Veras in the title of Hayley Squires' debut play have nothing to do with The Shamen, but instead refer to the (basically quite similar) musical stylings of Dame Vera Lynn. Her songs play over the scene changes of Vera Vera Vera, the second and final full production in this year's Royal Court Young Writers Festival. The cast of five are split over two connected storylines: On the day of the funeral of Bobby, a soldier killed in Afghanistan, his sister Emily (Danielle Flett,) brother Danny (Tommy McDonnell) and best friend Lee (Daniel Kendrick) gather, bicker, and try to move on. Interspersed with their scenes is a story that happens a couple of weeks later: Charlie (Abby Rakic-Platt) and Sammy (Ted Riley) are a couple of teenage best friends. As Sammy prepares to meet a school bully for a fight, the two are forced to acknowledge their real feelings for each other.
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