Theatre review: Dessa Rose

Based on a novel by a man named Lear Sherley Anne Williams, Lynn Ahrens and Stephen Flaherty's musical Dessa Rose gets its European premiere by bringing some big voices into the small space of Trafalgar Studio 2. Set in America's Deep South in 1846, it follows the fractious, unlikely friendship between two women, one black, one white. Dessa Rose (Cynthia Erivo) is a pregnant, teenage slave who, when the father of her child is killed, violently rebels. Condemned to be executed once the baby's born she has no intention of sticking around her cell that long. Ruth (Cassidy Janson) is the lonely wife of a plantation owner (John Addison) whose lengthy business trips culminated in him never returning. Raised by a slave who was the only person she ever loved, Ruth is sympathetic to escaped slaves, and doesn't ask many questions if a group of black people turns up on her land.

Theatre review: As Is

Another revival from the 1980s at the Finborough, and it's what they're billing as the first-ever AIDS play, William M. Hoffman's As Is. The play opens with a pair of exes arguing over who gets which of their shared possessions. But Rich (Tom Colley) is using the squabble as a delaying tactic for what he really needs to tell Saul (David Poynor,) namely that he's tested HIV positive. The following 80 minutes flash both back to their relationship and its end, and forward to Rich's deteriorating health - and the ex-boyfriend who still loves him remaining at his side as a constant support. As well as this personal story that carries the heart of the narrative through, Hoffman also spreads his focus out to the New York gay community at large - the liberated, promiscuous subculture of the 1970s that was so vulnerable to an unknown killer disease - and the support networks that they created in its wake.

Theatre review: Rooms - A Rock Romance

In the speculation over who will succeed Nicholas Hytner as Artistic Director of the National Theatre in two years' time, one name unlikely to even cross the selection panel's minds is Neil McPherson. But he runs an unsubsidised, 50-seat room above a failed pub as if it were the National; I can only imagine what he could achieve if you gave him some actual resources to work with. The Finborough regularly punches above its weight in new writing, political theatre, classic revivals and international work, and now it reminds us it can also do the unashamed crowd-pleaser. The venue's occasional musicals tend to be revivals but this is the European premiere of Paul Scott Goodman and Miriam Gordon's 2005 off-Broadway hit Rooms - A Rock Romance. There's not much that's new about the story of co-songwriters who fall in love, but Andrew Keates' production makes it fresh, helped by some strong tunes.

Theatre review: Passing By

PREVIEW DISCLAIMER: This review is of the first public performance (of only eight in total) with the press being invited tomorrow.

Paired with Hindle Wakes in the Sunday-Tuesday slot at the Finborough is another play whose initial impact was probably a lot more radical than it seems in 2012. Best known for Bent, Martin Sherman tells a very different kind of gay story in Passing By, an unconventional romantic comedy-drama whose protagonists spend most of their time in bed together, but not in quite the way that might sound. It's 1972 and Toby (Steven Webb) is an unfit, neurotic New York artist enjoying less than stellar success in his career. He meets Simon (Alex Felton) at a cinema, and they have a one-night stand. Giving the show a bit of a belated Olympic tie-in, Simon is a bronze medal-winning diver, physically fit and, in contrast with Toby, on the surface at least appears to be pretty untroubled. But having only recently come to New York he finds his hotel room lonely and seeks out Toby for company, not realising that a less-than welcome reason will soon have them spending even more time together.

Theatre review: The Thing About Men

Based on a 1980s German film, Joe DiPietro (book & lyrics) and Jimmy Roberts' (music) musical The Thing About Men opens with a 15-year marriage on the rocks. Busy advertising executive Tom (Peter Gerald) has cheated on his wife before, but when he realises that Lucy (Kate Graham) is doing it as well, he moves out of their home. He then spies on her until he identifies her lover, wannabe bohemian artist Sebastian (John Addison.) This being a "musical comedy affair," the next obvious thing for Tom to do is to take on the alias of "Milo" and move in with Sebastian, who's on the lookout for a new flatmate. Initially trying to sabotage Sebastian's relationship with his wife, Tom finds himself making a new friend.