Theatre review: Metamorphoses

With the last few outdoor shows at Shakespeare's Globe still running, the summer season concludes by taking us back inside the Swanamaker for the delayed end result of the new Scriptorium project: Billed as the first time the Globe has had a team of writers-in-residence in 400 years, the first year of the project culminated in the team of Sami Ibrahim, Laura Lomas and Sabrina Mahfouz collaborating on a play that, appropriately enough, mixes the old with the new. The stories are almost as old as they get, with a collection of Greco-Roman mythology as collected by Ovid in his Metamorphoses; the storytelling style, treating the stories with a mix of respect and irreverence, is both fresh and well-suited to the intimate space. Sean Holmes and Holly Race Roughan direct a cast of four - Steffan Donnelly, Fiona Hampton, Charlie Josephine and Irfan Shamji - who tell some of the best-known, as well as some of the more obscure myths, especially those, as the title suggests, that feature their lead characters going through a magical transformation.

Theatre review: A History of Water in the Middle East

A History of Water in the Middle East sounds like the title of a lecture, and that’s its conceit – and kind of what it is, albeit in an inevitably more theatrical form Upstairs at the Royal Court. It has an unlikely origin: Writer/performer Sabrina Mahfouz has dual British/Egyptian nationality which, when she graduated from university, made her of interest to MI5 recruiters. She applied to become a British spy, but found that the vetting process seemed to be ruling her out largely because of the same background that had made her a candidate in the first place. One of the sticking points was her thesis about water in the Middle East, and the many ways over the last two centuries that it’s been both used as an instrument of colonisation and weaponised in the conflicts that followed. Together with Laura Hanna, who has a similar ethnic background to Mahfouz and does the heavy lifting where the singing’s concerned, she gives us a potted history of the region through story and song.

Theatre review: Encounters

The Bush's new regime introduces two of its new Associate Artists, by pairing their existing one-woman shows in a double bill they're calling Encounters. Both shows originated in Edinburgh and have subsequently toured, and first up is Dry Ice, written and performed by Sabrina Mahfouz and directed by David Schwimmer (in a Q&A afterwards, Omar Elerian made reference to Schwimmer having directed it via Skype, a claim Mahfouz denied - I couldn't quite figure out if it was an inside joke or if Elerian had genuinely been told the show was directed via Skype.) Inspired by her time working as a waitress at a strip club, Mahfouz plays Nina, a lap dancer who narrates incidents from her life, stories about the other girls she works with and the "types" of men who come to watch them.