Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Adebayo Bolaji. Show all posts
Showing posts with label Adebayo Bolaji. Show all posts
Wednesday, 17 August 2016
Theatre review: 946
Although officially the new Globe regime won't see each cast double up over two
plays, there's a lot of cast crossover between Emma Rice's A Midsummer Night's Dream
and the family show she's brought with her from her previous company, Kneehigh,
946. Based on the novel The Amazing Story of Adolphus Tips by War
Horse author Michael Morpurgo, it's another in the writer's peculiar niche of
children's stories about real war. War Cat 946 moves
us from the First World War to the Second, and a coastal village in Devon where
12-year-old Lily (Katy Owen) argued with her father before he went off to join the
war. Convincing herself she's not worried about his return, she puts all her concern
into her cat Tips (puppeteered by Nandi Bhebhe,) who has a tendency to run away. The
farming community gets further shaken up by the arrival of evacuees from London,
including Lily's new friend Barry (Adam Sopp.)
Thursday, 31 October 2013
Theatre review: The Scottsboro Boys
One of the last Kander and Ebb musicals gets its UK premiere at the Young Vic, with Broadway legend Susan Stroman reprising her role as director and choreographer (and bringing some of the original cast with her.) The people behind a much-loved musical charting the rise of the Nazis aren't afraid of a difficult subject and so The Scottsboro Boys unearths an unpleasant chapter in America's checkered civil rights history. Nine young black men passing through Scottsboro, Alabama on the train, end up spending much of the 1930s behind bars when, seemingly out of nowhere, they find themselves accused of the rape of two white women. Pressure from the North and funds from the Communist party result in countless retrials but the total lack of evidence, and even one of their accusers confessing that her testimony was made up, don't stop jury after jury finding them guilty.
Thursday, 1 August 2013
Theatre review: The Color (sic) Purple
Another Broadway musical that shares a title and subject matter with a famous film, except this time the two actually do come from the same source, Alice Walker's novel The Color (sic) Purple. Spanning several decades of the 20th century it first introduces its heroine Celie (Cynthia Erivo) in 1914 at the age of 14, already pregnant for the second time as a result of being raped by her stepfather, both children taken away to mysterious ends. She's soon married off to the tyrannical widower Mister (Christopher Colquhoun,) mainly to raise his kids. Celie is a mousy creature whose only experience of how women should behave to men is cowering obedience, so behaves accordingly to the fearsome Mister, who soon bans her from ever again contacting her beloved sister Nettie (Abiona Omonua.) But over the years she meets other women with a much more independent attitude, and over the years she blossoms.
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