Theatre review: Dick Whittington and his Cat (Lyric Hammersmith)

Writer Tom Wells and director Dan Herd return for a second year as the creatives behind the Lyric Hammersmith pantomime, and this time Wells brings along his regular collaborator Andy Rush to play the leading man in Dick Whittington and his Cat. Of course, this isn't the first time this year we've seen Andy Rush's Dick, but this version is the country boy - or, this being the Tom Wells take on the story, he's from Hull and comes complete with flat-cap - who travels to London to seek his fortune. With help from a trainee fairy called Bauble (Rebecca Craven) he finds his sidekick, a belligerent Cat (Delroy Atkinson) who's lost his meow. On arriving in London they quickly make an enemy of the evil mayor, Queen Rat (Tiffany Graves,) whose plans to give rats the vote will see her running the city forever. With a quick detour to the North Pole to fight a Yeti and get Cat's meow back, they hatch a plot to help love interest Sooz (Aretha Ayeh) beat Queen Rat in the upcoming election.

Theatre review: Jack and the Beanstalk (Lyric Hammersmith)

There's a new creative team behind the scenes for the Lyric Hammersmith's pantomime this year, but for the fourth year running it's Stevie Webb's job to hold things together on stage. Tom Wells takes over writing duties and Dan Herd directs Jack and the Beanstalk, in which Hammersmith is terrorised by the giant Nostril and his henchman Mr Fleshcreep (Nigel Richards,) and only a girl called Jack (Rochelle Rose) and her green-fingered best friend Sprout (Webb) can save the day by climbing up a beanstalk into the sky. And along the way of course there's songs, audience participation, double-entendres for the grown-ups, topical references (Zumba, Miley Cyrus and Mumford & Sons are popular targets) and very, very bad jokes.

Theatre review: The Life and Sort of Death of Eric Argyle

The second Irish play in a row for me, although this one originated for an Irish audience rather than an American one. The Life and Sort of Death of Eric Argyle by Ross Dungan sees a young ensemble of eight actors employ a storytelling style to follow the titular small-town man, soon after his premature death in his fifties in a car accident. As Eric's 1am funeral is attended by just two people, and a woman from his past babysits her nephew, a young woman who's never heard of Eric receives several thousand letters from him in the mail. The deceased himself is spending the night in some kind of court of the dead, where events from his life are played out in the hope of reaching judgement on some critically important, but mysterious matter that will play out by morning.