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Showing posts with label Doug Wright. Show all posts
Showing posts with label Doug Wright. Show all posts

Thursday, 14 August 2025

Theatre review: Good Night, Oscar

Documenting perhaps the first, definitely not the last, nervous breakdown on live TV, Doug Wright's Good Night, Oscar goes behind the scenes of an episode of The Tonight Show from 1958. Moving from its usual New York home to Hollywood for a week, the show is hoping for a ratings smash, and host Jack Paar (Ben Rappaport) wants to open with one of his own favourite regular guests, who always gets a big audience reaction: Actor and musician Oscar Levant (Sean Hayes,) who's become as well known for his near-the-knuckle witticisms and acerbic comments as he has for his virtuoso piano-playing, where he specialises in the works of his old friend George Gershwin. Oscar is often fashionably late, but with this episode coming from the headquarters Jack has the network head himself, Bob Sarnoff (Richard Katz) pressuring him to find a last-minute replacement.

Thursday, 7 January 2016

Theatre review: Grey Gardens

One of my last shows of 2015 was The Dazzle, a story based on a real-life pair of wealthy, reclusive hoarders, and I kick off 2016 with another one, this time in musical form. Edith Bouvier Beale was the aunt of Jacqueline Kennedy Onassis, who in the 1970s found notoriety when she and her daughter were found living in a dilapidated mansion filled with junk and cats. Named after the house where the two holed themselves up for decades, Doug Wright (book,) Scott Frankel (music) and Michael Korie's (lyrics) Grey Gardens looks at how a family of Hamptons socialites turned into crazy cat ladies, by taking us back to 1941: Edith (Jenna Russell) is organising an engagement party for her daughter Little Edie (Rachel Anne Rayham,) and putting herself at the centre of it with a plan to perform a number of songs. Little Edie has landed a Kennedy of her own, JFK's older brother Joseph Jr* (Aaron Sidwell,) but when her mother realises she'll end up alone, she sabotages the engagement.