In response to the battle lines that have been drawn around the world's public bathrooms
with regard to transgender people in recent years, the Young Vic was one of the
first London theatres to put up signs making clear visitors there can use whichever
loo they feel more comfortable in. So it's not too surprising to see this inclusive
attitude extend to the programming, and the latest Genesis Award winner in the Clare
has a cast made up of a trans man, a trans woman, and the bearded drag cabaret star
better known as Le Gateau Chocolat. And it is, of all things, an Anton Chekhov double bill
that director Lucy J Skilbeck uses to look at fluid gender identities. The
Bear / The Proposal is a pair of one-act comedies, and in the first half
things are played, no pun intended, straight.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label George Ikediashi. Show all posts
Showing posts with label George Ikediashi. Show all posts
Friday, 24 March 2017
Monday, 30 May 2016
Theatre review: The Threepenny Opera
Prepare for shares in eyeliner to soar as Rufus Norris brings Bertolt Brecht and
Kurt Weill's satirical musical The Threepenny Opera to the Olivier with a new
translation of the book and lyrics by Simon Stephens, and Rory Kinnear at the head
of a real luxury cast. Mack the Knife (Kinnear) is a violent East End criminal,
who's managed to avoid punishment so far through a combination of Chief Inspector
Tiger Brown (Peter De Jersey) being an old army buddy of his, and the fact that Mack
has an incriminating dossier that could cause the new King of England some
embarrassment. But his downfall might well come not from his crimes but from his
marriage: His new wife is the seemingly timid accountant Polly (Rosalie Craig,) who
he hopes can use her organisational skills to help build his criminal empire up.
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