Theatre review: Dracula, a Comedy of Terrors

PREVIEW DISCLAIMER: This review is of the final preview performance.

Whatever the clichés might say, US and UK humour do generally travel fairly well between sides of the Atlantic, although I personally find that the sillier brand of comedy can be more hit and miss in its travels. We've already had one demented New York spoof hit the right mark in London this year with Titaníque, so could a second work the same trick? Well, maybe not quite as successfully, but Gordon Greenberg (also directing) and Steve Rosen's camp take on Bram Stoker definitely has its moments. Dracula, a Comedy of Terrors takes the basic elements of the classic vampire story, changes them and swaps a couple of characters' names around for no discernible reason, and after a shaky start has a lot of fun to offer. Charlie Stemp plays a particularly timid and gormless Jonathan Harker, the English estate agent on a journey to sell London property to a Transylvanian noble.

Theatre review: Barnum

One thing you can usually expect from the Menier Chocolate Factory is a pretty safe palate and a commercial sensibility, so it’s a surprise to see them spaff a big budget and their Christmas show on a gamble, and one that doesn’t pay off at that. Maybe it’s a reflection of Cy Coleman (music,) Michael Stewart (lyrics) and Mark Bramble’s (book) hero and his tendency to lay the big decisions in his life on the toss of a coin that’s led Gordon Greenberg’s production to cast Marcus Brigstocke in a part he has no obvious qualification for, the titular role in Barnum. The 19th century impresario P.T. Barnum was given the name (most likely by himself) The Greatest Showman, and the musical follows his earlier forays into show business (his co-founding of Barnum & Bailey’s Circus is pretty much the show’s epilogue) and his relationship with his wife Charity (Laura Pitt-Pulford,) who provides the nous behind his flair for spectacle.

Theatre review: Guys and Dolls

A big musical to finish off my theatrical 2015 and, after Gypsy, another Chichester hit settles into the Savoy for a limited run (it has to be limited because one of the stars will be otherwise engaged for much of next year.) In Frank Loesser (music and lyrics,) Jo Swerling and Abe Burrows' (book) adaptation of Damon Runyon short stories, Guys and Dolls, the less salubrious side of Broadway is addicted to all-night gambling despite the law cracking down hard on it. Nathan Detroit (David Haig) runs a floating craps game* but the police clampdown has made suitable venues hard to find, and the garage where he hopes to hold the next game is demanding an advance of $1000 he doesn't have. But as luck would have it, high-rolling gambler Sky Masterson (Jamie Parker) has just returned to New York, and Nathan happens to know he can't resist an unusual bet.