Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Jake Wood. Show all posts
Showing posts with label Jake Wood. Show all posts
Wednesday, 24 April 2024
Theatre review: London Tide
With the exception of Oliver Exclamation Mark and umpteen Christmas Carols, the works of Charles Dickens (Chickens to his friends) have largely resisted the musical theatre treatment. Ben Power (book and lyrics) and PJ Harvey (music and lyrics) haven't been deterred by the idea that there might be a reason for this, so have tackled Our Mutual Friend, well-known among Dickens' novels as being... definitely one of them. Retitled London Tide, this stage version frames the story as being that of two women who never meet until the very end, but are both affected when a body is fished out of the Thames and identified as the missing heir to a dust fortune. From context I think that means dust as in a waste management firm, not Dark Materials. Bella Wilfer (Bella Maclean) had been due to marry the dead man despite never having met him, and is now suddenly considered a widow without ever having actually married or come into the inheritance.
Labels:
Ami Tredrea,
Bella Maclean,
Ben Power,
Brandon Grace,
Charles Dickens,
Crystal Condie,
Ellie-May Sheridan,
Ian Rickson,
Jake Wood,
Jamael Westman,
Joe Armstrong,
Peter Wight,
PJ Harvey,
Scott Karim,
Tom Mothersdale
Thursday, 26 August 2021
Theatre review: 2:22 A Ghost Story
SPOILER ALERT: I don't spoil any twists that actually happen in the play in this review; however I do mention a couple of red herrings that don't lead to anything, so you may want to consider that if you're planning on seeing the show and want it to fully misdirect you.
Tuesday's West End trip saw a TV show spin off to the stage; Thursday's doesn't actually do the same with a podcast (although that's bound to be on the cards next,) but it does market itself heavily on the back of one. I did in fact listen to The Battersea Poltergeist, which I found a suitably chilly accompaniment to a winter lunchtime walk around the park, but I hadn't realised quite how many others were doing the same - apparently at one point it was the most listened-to drama podcast worldwide, so it makes sense that playwright Danny Robins' new play would want to capitalise on the notoriety of a show he wrote and hosted. Especially when that play is called 2:22 A Ghost Story. New parents Jenny (Lily Allen) and Sam (Hadley Fraser) are renovating the large East London house they recently bought off an elderly widow. But for the most part Jenny has been there alone with their baby, as astronomer Sam has been working on Sark, an island noted for its clear skies with no light pollution.
Tuesday's West End trip saw a TV show spin off to the stage; Thursday's doesn't actually do the same with a podcast (although that's bound to be on the cards next,) but it does market itself heavily on the back of one. I did in fact listen to The Battersea Poltergeist, which I found a suitably chilly accompaniment to a winter lunchtime walk around the park, but I hadn't realised quite how many others were doing the same - apparently at one point it was the most listened-to drama podcast worldwide, so it makes sense that playwright Danny Robins' new play would want to capitalise on the notoriety of a show he wrote and hosted. Especially when that play is called 2:22 A Ghost Story. New parents Jenny (Lily Allen) and Sam (Hadley Fraser) are renovating the large East London house they recently bought off an elderly widow. But for the most part Jenny has been there alone with their baby, as astronomer Sam has been working on Sark, an island noted for its clear skies with no light pollution.
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