Theatre review: "Daddy" A Melodrama

It's hard enough trying to keep up with everything going on in London theatre without adding Broadway to the mix, but even so I can't help but know that Slave Play was causing a stir in New York before Covid. So far I haven't heard any suggestion of it making the transatlantic trip but Jeremy O. Harris' earlier play "Daddy" A Melodrama has, after a lockdown delay of its own, now landed at the Almeida complete with its original creative team. Franklin (Terique Jarrett) is a young, gay black artist who moved to California a couple of years ago to pursue his career. His collections of doll versions of himself are slowly building a following, and while he's not quite got to the stage of making big money from his creations yet, he's got an enthusiastic supporter in gallerist Alessia (Jenny Rainsford,) who's about to host his first high-profile exhibition. A few weeks before it opens, he meets wealthy, white, fifty-something Andre (Claes Bang.)

Theatre review: Everybody's Talking About Jamie

In what must be the first West End musical to be based on a BBC3 documentary, Dan Gillespie Sells (music) and Tom MacRae's (book and lyrics) Everybody's Talking About Jamie transfers to the Apollo from Sheffield, where it's set and where it premiered earlier this year. Jamie (John McCrea) is 16 and facing pretty dispiriting careers advice from his sour-faced form teacher Miss Hedge (Tamsin Carroll,) but he's already got very different and specific plans for how to make a living: He's never really been in the closet about his sexuality but the fact that he's always liked dressing up in his mother's clothes is more of a secret; but now, realising that it can actually be a job (there's a hat-tip to "Our Lady RuPaul,") he wants to be a drag queen when he grows up, and sees no reason not to get started straight away.