Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Mara Huf. Show all posts
Showing posts with label Mara Huf. Show all posts
Wednesday, 26 February 2025
Theatre review: Much Ado About Nothing
(Jamie Lloyd Company / Theatre Royal Drury Lane)
I went on quite a bit in my review of Jamie Lloyd's Tempest about the fact that the entire production seemed to exist only to satisfy an obscure beef that His Exalted Brittanic Excellency, The Right Rev. Dr Baron Dame Sir Andrew Lloyd Lord Webber BA (Hons) MEng, QC, MD, P.I, FSB had with a dead man, and the way that was reflected in a production the director's heart didn't seem to be in. At least, whatever other reservations I might have with the second half of this Shakespeare season at Drury Lane, Lloyd's Much Ado About Nothing has the feel of a show he actually had an idea for. Another heavily edited text doesn't only lose a whole swathe of characters but also the play's military context: Soutra Gilmour's design leaves the huge stage mostly bare except for constantly-falling pink confetti, turning it into the dance floor of an 80's/90's- themed disco (although the amount of plot that's dependant on texts and people checking each other's Instagrams suggest we're in the present day.)
Tuesday, 7 January 2025
Theatre review: The Tempest
(Jamie Lloyd Company / Theatre Royal Drury Lane)
Apparently when John Gielgud ended his run as Prospero at the Theatre Royal Drury Lane in 1957, he foretold that Shakespeare would never again be performed at the venue, which would become a home for big musicals only. No doubt any suggestion of snobbery was fully intended, but it's also probably fair to say that a vast stage and 2000+ seat auditorium might be easier to fill with a big spectacle than with a production of a play that comes around every couple of years in London alone. But the theatre is now owned by His Exalted Brittanic Excellency, The Rev. Dr Baron Dame Sir Andrew Lloyd Lord Webber BA (Hons) MEng, QC, MD, P.I, FSB, who has enlisted Jamie Lloyd to end the 67-year Shakespeare drought at the venue with a starry mini-season inspired by the noblest of all intentions: Proving that a man who died a quarter of a century ago was wrong about that thing he said that one time.
Labels:
Forbes Masson,
James Phoon,
Jamie Lloyd,
Jason Barnett,
Jon Clark,
Jude Akuwudike,
Mara Huf,
Mason Alexander Park,
Mathew Horne,
Selina Cadell,
Sigourney Weaver,
Soutra Gilmour,
The Tempest,
Tim Steed
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