Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Maynard Eziashi. Show all posts
Showing posts with label Maynard Eziashi. Show all posts
Tuesday, 13 September 2022
Theatre review: The Clinic
Written during Dipo Baruwa-Etti's residency at the Almeida as the Channel 4 bursary playwright, The Clinic is a combustive family drama where race and politics don't even pretend to be far from the surface, but which ends up as tangled up by them as the characters themselves. The British-Nigerian family in question are a very successful, upper-middle class one whose achievements are so varied they sometimes refer to themselves as The Clinic, because of the wealth of solutions they could come up with for any number of problems: Segun (Maynard Eziashi,) turning 60 in the opening scene, is a successful therapist and writer of self-help books; his wife Tiwa (Donna Berlin) also studied psychology but never practiced it professionally, and instead has spent much of her life volunteering for causes and committees. Their son Bayo (Simon Manyonda) was recently promoted to DCI in the Metropolitan Police, and his wife Amina (Mercy Ojelade) is a Labour MP.
Wednesday, 30 May 2018
Theatre review: The Strange Death of John Doe
Fiona Doyle’s second play for Hampstead Downstairs, The Strange Death of John Doe is structured as a post-mortem on what was, indeed, a strange death – though one not only based on a true story but on circumstances that are surprisingly common. The John Doe body in question will eventually be identified as Ximo (Benjamin Cawley,) found dead under the Heathrow flightpath with no sign of how he got there. The conclusion is that he’d stowed away in a plane’s landing gear and fell as it prepared to land, although whether the fall killed him or he was already dead from hypothermia is something pathologist Ger (Charlotte Bradley) and her team may never be able to establish. As they cut into Ximo’s body to find answers, detective John Kavura (Rhashan Stone) tries to figure out how he got there. Put on suspension because of his alcoholism and taken off the case, John is haunted too much by the story to let it go, and investigates anyway.
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