Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Melissa Dunne. Show all posts
Showing posts with label Melissa Dunne. Show all posts
Tuesday, 22 August 2023
Theatre review: Makeshifts and Realities
The Finborough's latest rediscovery season next takes us back around 110 years, for a triple bill of short, proto-feminist plays that take a steely, pragmatic look at young women of a certain comfortable, upper-middle class, and how their seemingly carefree lives are left up in the air when the money runs out - and they've not been allowed a Plan B. The first two come from writer Gertrude Robins, and run together so smoothly you'd be forgiven for thinking - as some of the audience did at the interval - that they were a single piece. They do tell a single story: In 1908's Makeshifts, sisters Caroline (Philippa Quinn) and Dolly (Poppy Allen-Quarmby) are caring for an invalid mother and have had to take in a lodger to help pay the rent. Both talk a big game of being independent: Teaching assistant Dolly says she doesn't think she'll ever get married, while Caroline is tentatively wondering if the suffragettes might have a point.
Sunday, 29 April 2018
Theatre review: Masterpieces
Anger can be a spur to some powerful writing, but while anger over the relationship between pornography and misogyny is more than justifiable, I’ve yet to see it be the basis of a coherent piece of theatre. The Finborough proves that #MeToo isn’t the first time theatre has fought back against the oppression of women by dusting off Sarah Daniels’ 1983 play Masterpieces, which tries to trace a line from misogynistic jokes all the way to the murder of women. It starts promisingly enough with the standard dinner party from hell: Olivia Darnley and Edward Killingback (Yeah!) Them Motherfuckers Don’t Know How To Act (Yeah!) play Rowena and Trevor, whose dinner with friends and family degenerates into a series of sexist jokes. This scene actually contains some really good moments about the way men silence women, that could have come straight out of the Q&A scene in The Writer – like Yvonne (Tessie Orange-Turner) being asked why she hasn’t said much, and having Trevor jump in to answer for her that she hasn’t been able to get a word in edgeways.
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