Theatre review: Funny Girl

The show hasn't even had its first preview yet, and already it's sold out: It happens to Fanny Brice in Funny Girl, and it happened for real when the Menier's revival of her life story sold out within hours of going on sale, largely thanks to the star power of Sheridan Smith. The West End transfer has already been announced and extended once and a Broadway run discussed, so we're very much in "critic-proof" territory. So what's left to say about Michael Mayer's production, which the Menier were allegedly going to shelve if Smith hadn't agreed to star? Jule Styne, Bob Merrill and Isobel Lennart's musical version of a true story has had some new tweaks to the book from Harvey Fierstein, but remains familiar to anyone who's seen the film version, in which Barbra Streisand's performance became so well-known it's made producers steer clear of reviving the show until now.

Theatre review: American Idiot

Green Day's one of those bands I never really followed too closely but, as it turns out, I know and like a lot more of their songs than I would have guessed. In any case they're an unlikely choice to get a jukebox musical, but it happened with American Idiot - largely consisting of songs from the concept album of the same name - which has only previously had concert performances in this country, so Racky Plews' production is the first full UK staging. The songs are held together by a fairly vague story of Johnny (Aaron Sidwell) and his two friends, who all find themselves at a loss after 9/11. Johnny leaves his parents' suburban home to move to a city where he soon becomes a junkie; Tunny (a newly-buff Alexis Gerred) joins the army, losing a leg in Iraq; and in the least-developed storyline Will (Steve Rushton) stays behind with his pregnant girlfriend, spending his days getting stoned and feeling abandoned by his friends. X Factor song-shouter Amelia Lily also appears as Johnny's girlfriend Whatsername.