Theatre review: The Jonathan Larson Project

Jennifer Ashley Tepper's collection of lesser-known songs by Rent and tick, tick... BOOM! creator Jonathan Larson opens with a video medley of his best-known one, "Seasons of Love," being sung by different groups in different languages, and laments the fact that Larson never lived to see the effect his music had on people and musical theatre as a whole. Although as ever I have to wonder if there would have been anything like that much influence if he hadn't died young - his sudden death aged 35 the day before its first performance is so tied into the legend surrounding Rent and so perfectly fitting to its story that you have to wonder if it might have become a well-liked but obscure show without that unwanted publicity push, rather than a global phenomenon. Does The Jonathan Larson Project go any way to answer how much his success owes to the fact that it's posthumous?

Theatre review: Crazy For You

Crazy For You isn't a Madonna jukebox musical, but it is a jukebox musical: Although based on the 1930 show Girl Crazy, Ken Ludwig's book ties together a number of George Gershwin (music) and Ira Gershwin's (lyrics) most popular songs from throughout their career. It's played the West End before, and frankly didn't make enough of an impact on me to revisit it now if Susan Stroman's revival, which she originally directed and choreographed in Chichester, didn't star the criminally talented Charlie Stemp. In fact the publicity for this transfer has largely focused on Stemp's growing profile, the comparisons to Gene Kelly and the fact that he's essentially in a league of his own. God help his understudy, basically. But not tonight, as the main cast are present and correct for the most unironically old-fashioned show in town.

Theatre review: Berlusconi

When I sent my list of upcoming theatre trips to the friends who usually accompany me, Phill said he didn't even need to look past the title of Berlusconi, the musical, to say yes. Ian and Jim both said they also wouldn't have needed to read the blurb to make a decision, but... for a different reason. Yes, this is one of those shows that really could have gone one of two ways, and Ricky Simmonds and Simon Vaughan's musical about the disgraced former Prime Minister of Italy grabs every opportunity to choose the wrong one. Silvio Berlusconi (Sebastien Torkia) was a cruise-ship singer turned building magnate, turned media mogul, turned politician. The latter seems to have largely been an attempt to get political immunity from prosecution from innumerable cases of financial crime and corruption in his companies, but still resulted in three non-consecutive terms as PM.