Pages

Showing posts with label Neil LaBute. Show all posts
Showing posts with label Neil LaBute. Show all posts

Monday, 29 May 2023

Theatre review: The Shape of Things

The production companies that last year brought Bruce Norris' Clybourne Park to the Park Theatre return, with another early hit from a playwright whose later career featured an unfortunate incident involving bees, Neil LaBute. The Shape of Things is the defining LaBute story on themes he's returned to many times - mainly around body image, and the battle of the sexes. Set in and around a college campus, Adam (Luke Newton) is overweight, nerdy and has few friends and fewer relationships. When working one of his two part-time jobs to pay his student loans, as security at an art gallery, he meets Evelyn (Amber Anderson,) an art postgraduate who's planning on defacing one of the statues as a protest against censorship. Far from stopping her he turns a blind eye because he's flattered by her flirting with him.

Thursday, 21 July 2016

Theatre review: Some Girl(s)

Not actually a Rachel Stevens jukebox musical, Some Girl(s) is a Neil LaBute play whose London premiere starred David Schwimmer - a fact that seems to have been kept in mind when casting Gary Condes' revival at the Park, as a vague resemblance is the only reason I could think of for a crucial piece of miscasting. Guy (Charles Dorfman) is about to get married to a much younger woman, but we never actually meet his fiancée: Instead we follow him around the USA as he visits four ex-girlfriends he feels he has unfinished business with. First up he returns to Seattle where he grew up, to see how his high school girlfriend is getting on - and perhaps to gloat a bit, as he's now a university lecturer starting to make a name for himself as a writer, while Sam (Elly Condron) has married the manager of a supermarket.

Monday, 28 March 2016

Theatre review: Reasons to be Happy

Reasons to be Happy is Neil LaBute’s sequel to Reasons to be Pretty, which was itself part of a loose trilogy about body image with The Shape of Things and Fat Pig. Director Michael Attenborough returns to the four characters from the first play and brings a lot with him, including Soutra Gilmour's unusual shipping container set, a soundtrack inexplicably dominated by Queen songs (except this time there's an equally baffling diversion into Genesis,) and the leading man, Tom Burke, who once again plays Greg, now a substitute English teacher. The venue has changed though - Attenborough no longer runs the Almeida so has returned to Hampstead - and so have the rest of the cast, playing the man and two women closest to Greg, as he discovers the pitfalls of dating within a small circle of friends.

Sunday, 30 March 2014

Theatre review: BASH latterday plays

Neil LaBute's reputation has never painted him as a ray of golden sunshine, and he's happy to live up to his misanthropic image in a harsh, but excellent collection of one-acters. BASH latterday plays is a trio of monologues that exposes a dark underside to Mormon life, giving it a recurring connection to Greek tragedy. Jonathan O'Boyle's production at the Old Red Lion sees a roomful of small chairs (design by Sarah McCann) in which each of the pieces is played, the performer(s) of the next piece looking on, grimly awaiting their turn. So first up we have a monologue from a businessman in a hotel room. Spending a few nights there on business, he's spotted someone in the bar who seems drunk enough to serve as confidante: The man has a story he needs to get off his chest, but ideally he'd rather his confessor didn't remember it the next day.

Monday, 2 December 2013

Theatre review: The Shape of Things

Neil LaBute has written a loose trilogy of plays about body image, which began with The Shape of Things. Set among graduate students at a small-town American university, Adam (Sean McConaghy) is overweight, unkempt and socially awkward, badly in debt and working two jobs to pay it off. One of them is at an art gallery, which is where he meets Evelyn (Anna Bamberger,) an art student intent on spray-painting a cock onto one of the sculptures. They make an unlikely couple but Evelyn gives him her number anyway and soon they're dating. She may look out of his league but he catches up fast - her influence sees Adam start going to the gym and eating better, lose a huge amount of weight as a consequence, change his style and even get a nose-job. And as his looks change, so does his behaviour.