Theatre review:Wedding Band: A Love/Hate Story in Black and White

Alice Childress' 1966 play about segregation Wedding Band: A Love/Hate Story in Black and White is set in South Carolina in 1918, and the fact that it's the final year of the First World War is a constant underlying theme: Black soldiers like Lula's (Diveen Henry) adopted son Nelson (Patrick Martins) and sailors like Mattie's (Bethan Mary-James) husband are fighting the same as white Americans and risking their lives the same, but in an upcoming celebration Nelson will, like the rest of the black troops, have to add himself to the end of the parade uninvited; and when the war ends, however much they try to convince themselves otherwise, they know their contribution won't be recognised by allowing them into the spaces they're currently forbidden from. But if Lula and Mattie think they've seen it all, their new neighbour will confront them with one more taboo.

Radio review: King Lear (Radio 3)

BBC Radio 4 have been serialising Shakespeare but there's no such messing about over on Radio 3 - Gaynor Macfarlane's production of King Lear was presented as an uninterrupted 150 minutes (although personally I downloaded the iPlayer version onto my kindle and listened to it over a couple of days' worth of train journeys and lunch breaks.) When staging or filming Shakespeare it's easy to impose a high concept; less easy without the visuals, but this production has been given an all-Scottish cast, led by the distinctive voices of Ian McDiarmid as Lear, the king who, as madness sets in, puts his faith in the wrong two daughters while banishing the only loyal one; and Bill Paterson as Gloucester, who makes a similar error of judgement with his two sons. The fact that everyone has a Scottish accent (except for Simon Harrison's King of France who, paradoxically, is given an English one) could have been confusing but there's enough variety in voice and subtle differences in accent never to make it a problem.