Stage-to-screen review: My Beautiful Laundrette

Leicester's Curve Theatre continues to dip into its archive recordings to provide online content and fundraise during lockdown; latest is last year's My Beautiful Laundrette, adapted by Hanif Kureishi from his own screenplay. It's something of a rollercoaster ride during the early eighties for an extended Pakistani-British family, rising above the general wave of unemployment by building a small business empire (albeit one that isn't quite as legal and respectable as it initially appears) while at the same time being regularly reminded that they're still viewed by many as an underclass. It's seen through the eyes of Omar (Omar Malik) and his complicated relationship with old schoold friend Johnny (Jonny Fines, who seems pretty spot-on casting for a play about laundry, considering he's always struck me as looking literally very clean, but metaphorically a bit dirty.)

Theatre review: Closer to Heaven

Snatching Romeo & Juliet's crown as the most nipple-thrusting show in Southwark, Closer to Heaven is the latest in the Union's attempts to turn West End flops into fringe hits. This one certainly seems to have done the trick, the Jonathan Harvey / Pet Shop Boys musical sold out long before it had even opened. Recent "Irish" arrival Straight Dave (Jared Thompson) is so called because he really is straight, but he does seem a bit insecure in his sexuality, possibly because of all those men he turns out to have slept with. He tries to suppress this side of himself in the most masculine job he can think of, as a go-go dancer in a gay club, while dating Shell (Amy Matthews) daughter of club owner Vic (Craig Berry.) Vic is variously a heavy drug user or violently opposed to them depending on the scene, which makes for a tricky relationship with resident rough trade and drug dealer Mile End Lee (Connor Brabyn - I see the project to clone Ryan Phillippe has been successful.) Straight Dave visibly drools any time he sees Lee, then is confused when people ask him if he's gay.