Toneelgroep Amsterdam's season at the Barbican continues with a new play, based on a
film by Luchino Visconti - whose work Ivo van Hove frequently stages - and with a
cast half made up of Dutch ensemble members, and half of British guest actors
(although at times even the latter seem to have picked up the Dutch accent.) After
filling it with furniture and audience members for Roman Tragedies, Jan Versweyveld
uses the size of the Barbican stage to leave vast empty spaces for Obsession,
which takes place in a bar - one that apparently does have some customers, we just
don't get to see them. Instead Gino (Jude Law,) a drifter, wanders in playing the
harmonica and looking for something to eat, which he may or may not be able to pay
for. He's a mechanic and stays to do a few jobs around the place in exchange for his
room and board, but the real reason he's sticking around is because he's fallen
instantly in lust with the barmaid Hanna (Halina Reijn,) and the second her much
older husband Joseph (Gijs Scholten van Aschat) is gone they start an affair.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Robert de Hoog. Show all posts
Showing posts with label Robert de Hoog. Show all posts
Thursday, 27 April 2017
Sunday, 24 April 2016
Theatre review: Kings of War
Very much in-demand to direct work in English both here and on Broadway, Ivo van
Hove is of course also still running Toneelgroep Amsterdam, and bringing over
Dutch-language work to a niche - but not quite as niche as it was a couple of years
ago - audience. For the weekend of the 400th anniversary of Shakespeare's death, I
didn't manage to fit in the Globe's film series along the South Bank, but my own way
of marking the event is van Hove's 4-and-a-half hour compression of the History
Cycle - beginning at the end of Henry IV Part 2 with the death of that king,
then following on through Henry V, the Henry VI plays and Richard
III - collected as Kings of War. Henry V (Ramsey Nasr) distracts England
from his line's dubious claim to the throne with a successful offensive in France,
but like the king himself the victory is short-lived: His son takes the crown when
less than a year old, and even as an adult Henry VI (Eelco Smits) is plagued by
mental illness and unable to control his lords.
Labels:
Alwin Pulinckx,
Bart Slegers,
Eelco Smits,
Hans Kesting,
Harm Duco Schut,
Henry IV,
Henry V,
Henry VI,
Ivo van Hove,
Jan Versweyveld,
Janni Goslinga,
Ramsey Nasr,
Richard III,
Robert de Hoog,
William Shakespeare
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