Nostalgia with a markedly sinister edge at Southwark Playhouse's Little, with Jack Sain's production of Paula Vogel's 1998 Pulitzer-winner, How I Learned to Drive. As she approaches 40, Li'l Bit (Future Dame Olivia Poulet) reminisces about her teenage years in the 1960s, and in particular her relationship with her uncle, Peck (William Ellis.) He did indeed teach her to drive, but from the first time we meet them it's clear that's not all that happened in his car - and if he'd had his way even more would probably have gone on. Li'l Bit initially flashes back to 1969, when she was 17 and preparing to take her driving test. But her narration then takes us back and forward in time, jumping through memories as they come to her, and building up a picture of how her adolescence formed who she is today.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label William Ellis. Show all posts
Showing posts with label William Ellis. Show all posts
Tuesday, 17 February 2015
Friday, 7 December 2012
Theatre review: Cinderella (Lyric Hammersmith)
I'm not really much of a pantomime connoisseur, not having grown up in the UK and never having had a reason to get into them since moving here as an adult. Having a December birthday, in the last couple of years I've tended to celebrate it with a trip with friends to the Stag's smutty adult panto, but with that venue closing (although as it turned out its panto will still go ahead; look out for a review in a couple of weeks' time) one of the more traditional, family shows looked like providing an alternative. In the last few years, the Lyric Hammersmith has really made a name for itself with its quality pantos, but there was an extra reason this year's Cinderella became a must-see: Steven Webb has become a fixture of the Christmas show there, and this year he was joined, in her first ever panto role, by musical theatre star (and original West End Kate Monster in Avenue Q) Julie Atherton. Atherton is always worth seeing, let alone teaming her up with Webb - the two are friends, and used to entertain themselves by doing things like this when they shared a flat. In a theatrical style that thrives on improvisation and corpsing, putting the two of them on stage together should be a fun recipe.
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