Theatre review: Avenue Q

After Robert Lopez, Jeff Marx (both contributing music and lyrics) and Jeff Whitty's (book) Avenue Q closed (for the third time) its original West End production, my favourite musical didn't stay away too long, with smaller-scale productions and tours meaning I and a group of similarly addicted friends could keep getting our live fix. It's been away for a few years though, meaning what I think is my fourteenth time seeing it live is in fact a 20th-anniversary production of it opening at the Noël Coward (the first show to play there after the theatre had been renamed.) Now at a reduced-capacity Shaftesbury Theatre while its upper level is being repaired, original director Jason Moore returns for a show that was always being tweaked to keep up with the times, and has now had a few extra rewrites to bring it into 2026.

Theatre review: School of Rock

I know it's getting to the point where I'm seeing The Horrors Of This Year in absolutely everything, but you've got to admit there's something very 2016 to a show all about "sticking it to the man" composed by, and making a healthy profit for, the very dictionary definition of The Man. Dr Baron Dame Sir Andrew Lloyd Lord Webber BA (Hons) MEng composes the stage adaptation of the film School of Rock, with lyrics by Glenn Slater and book by Julian "here proles, let me dumb down Shakespeare for you so you don't get drool all over him" Fellowes, just in case the disconnect between subject matter and creative team wasn't surreal enough already. School of Rock is the story of an expensive private school that should be the subject of numerous lawsuits due to its dangerously negligent lack of background checking on potential new staff.